Adolphe Sax the Creator of the Saxaphone :: essays research papers

Adolphe Sax didnt hunch what kind of monster he created, only if as history brusquely tells us, it wasnt any four-eyed, flying, purple people eater. Adolphe came upon a horn that would capture many another(prenominal) imaginations, save a couple of military bands, define jazz, and win all over lame highschool kids desire Lily. This colorful history has more than kinks in it than your standard garden hose, people have terrorized it, belittled it, outlawed it, and (last, but not least) demonized it. The saxophone, though one of the youngest players in the music world today, has more castatrophes and triumphs in its history than the brass family rolled up together (and impel at lame highschool kids like Brekke.) Why is this so? Where did it get off? Marco? Polo? Well it started one fine day...Adolphe, the hero for the first part of the story, was born(p) in Brussels on November 19, 1814. His father, Charles Sax, was Belgiums chief instrument maker and he was inte nt on passing the trade on to Adolphe. But, much like the history of the sax, Adolphe encountered many accidents to hinder these dreams. Adolphe wasnt a graceful boy and was addicted to accidents like nearly drowning, falling dump stairs, and the occasional fire in fathers workshop. None the less by his teens he was showing exceptional scientific discipline at instrument making. In Belgium there was a convention every year, the Brussels Industrial Exposition. At fifteen Adolphe submitted a clarinet and two flutes of bone (1830). Before he was twenty he had created a new thumb system on the soprano clarinet and redesigned the bass clarinet. Bass clarinets, beautiful and bowelless instruments, were once unreliable and unplayable instruments. Adolphe turned the monster into an elegant, regal broken wind that (gasp) played in tune. But he was turned down from first place, not because of quality, but age. On the bias of age, judges cook Adolphe, claiming he would not be appreciati ve of the honor at much(prenominal) a young age. Not appreciative of their conclusion, he turned to Paris.At twenty-eight (1842) he instal off for Paris, then the instrument-making capital (still is), to set up shop. Filled with more ambitious ideas and brilliance than his father, he stomped into townspeople and made as much noise settling in as possible. Now to really paint this picture you must have the scenario.