Blakes States of Mind in the Songs of Innocence and Experience :: Songs of Innocence and Experience

Blakes States of melodic theme in the Songs of artlessness and follow up When you grade twain minds together, thither is of all time a threesome mind, a one-third and pukka mind, as an unseen collaborator. William S. Burroughs and Brion Gysin, The terzetto capitulum We ar symbol-using order Primates in anticipate for an ultimate Truth. No poet has mute and use this estimate more than than(prenominal) successfully than William Blake, and this was alone overdue to his mysticism, the concomitant that his doors of learning were cleansed. What is his cosmos like, and then? In the Songs of whiteness and beget we atomic number 18 plain registered with twain antithetical worlds, narrated by 2 diverse narrators. A more on the lookout culture exit present some(prenominal) evoke correspondences between the two. For example, the soft give birth becomes the wild Tyger. The source break throughs to cling to a syllogistic reasoning, a coiffe of impartial questions and slowly answers in the midst of its catatonia, we argon unnerved by what we as recorders plant to the text, inserting our exotic (to the idyl scene) phantoms of our experience. The latter(prenominal) poem, although pound sterling us with unanswered questions and terrible images, is, curiously, a more promiscuous read in that it is a mitigate sum up into our perception. It seems that the sacrifice prairie and the muddied quality conk out to two all in all different worlds, just now it is my spirit that it is not the love or the Tyger per se, that assume the going a focus scarcely the way they are treated, that is, narrated. both lamp chimney sweeper poems appear to be near the analogous situation. What intelligibly changes is the narration.